Connection

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XSYKOTICA
VOLUME CXXXV: Connection
VOLUME CXXXV: Connection
VOLUME CXXXV: Connection
VOLUME CXXXV: Connection
The atmosphere of the earth, we now know, contains far more oxygen or far less argon (whichever way one likes to put it) than does Mars. The invigorating influences of this excess of oxygen upon the Martians indisputably did much to counterbalance the increased weight of their bodies. And, in the second place, we all overlooked the fact that such mechanical intelligence as the Martian possessed was quite able to dispense with muscular exertion at a pinch.

But I did not consider these points at the time, and so my reasoning was dead against the chances of the invaders. With wine and food, the confidence of my own table, and the necessity of reassuring my wife, I grew by insensible degrees courageous and secure.

"They have done a foolish thing," said I, my wineglass. "They are dangerous because, no doubt, they are mad with terror. Perhaps they expected to find no living things--certainly no intelligent living things."

"A shell in the pit" said I, "if the worst comes to the worst will kill them all."

The intense excitement of the events had no doubt left my perceptive powers in a state of erethism. I remember that dinner table with extraordinary vividness even now. My dear wife's sweet anxious face peering at me from under the pink lamp shade, the white cloth with its silver and glass table furniture--for in those days even philosophical writers had many little luxuries--the crimson-purple wine in my glass, are photographically distinct. At the end of it I sat, tempering nuts with a cigarette, regretting Ogilvy's rashness, and denouncing the shortsighted timidity of the Martians.

So some respectable dodo in the Mauritius might have lorded it in his nest, and discussed the arrival of that shipful of pitiless sailors in want of animal food. "We will peck them to death tomorrow, my dear."

I did not know it, but that was the last civilised dinner I was to eat for very many strange and terrible days.

The most extraordinary thing to my mind, of all the strange and wonderful things that happened upon that Friday, was the dovetailing of the commonplace habits of our social order with the first beginnings of the series of events that was to topple that social order headlong. If on Friday night you had taken a pair of compasses and drawn a circle with a radius of five miles round the Woking sand pits, I doubt if you would have had one human being outside it, unless it were some relation of Stent or of the three or four cyclists or London people lying dead on the common, whose emotions or habits were at all affected by the new-comers. Many people had heard of the cylinder, of course, and talked about it in their leisure, but it certainly did not make the sensation that an ultimatum to Germany would have done.

In London that night poor Henderson's telegram describing the gradual unscrewing of the shot was judged to be a canard, and his evening paper, after wiring for authentication from him and receiving no reply--the man was killed--decided not to print a special edition.

[...]

"Way! Way!"

There was a smash as the pole of a carriage crashed into the cart that the man on horseback stopped. My brother looked up, and the man with the gold twisted his head round and bit the wrist that held his collar. There was a concussion, and the black horse came staggering sideways, and the carthorse pushed beside it. A hoof missed my brother's foot by a hair's breadth. He released his grip on the fallen man and jumped back. He saw anger change to terror on the face of the poor wretch on the ground, and in a moment he was hidden and my brother was borne backward and carried past the entrance of the lane, and had to fight hard in the torrent to recover it.

He saw Miss Elphinstone covering her eyes, and a little child, with all a child's want of sympathetic imagination, staring with dilated eyes at a dusty something that lay black and still, ground and crushed under the rolling wheels. "Let us go back!" he shouted, and began turning the pony round. "We cannot cross this--hell," he said and they went back a hundred yards the way they had come, until the fighting crowd was hidden. As they passed the bend in the lane my brother saw the face of the dying man in the ditch under the privet, deadly white and drawn, and shining with perspiration. The two women sat silent, crouching in their seat and shivering.

Then beyond the bend my brother stopped again. Miss Elphinstone was white and pale, and her sister-in-law sat weeping, too wretched even to call upon "George." My brother was horrified and perplexed. So soon as they had retreated he realised how urgent and unavoidable it was to attempt this crossing. He turned to Miss Elphinstone, suddenly resolute.

"We must go that way," he said, and led the pony round again.

For the second time that day this girl proved her quality. To force their way into the torrent of people, my brother plunged into the traffic and held back a cab horse, while she drove the pony across its head. A waggon locked wheels for a moment and ripped a long splinter from the chaise. In another moment they were caught and swept forward by the stream. My brother, with the cabman's whip marks red across his face and hands, scrambled into the chaise and took the reins from her.

"Point the revolver at the man behind," he said, giving it to her, "if he presses us too hard. No!--point it at his horse."

Then he began to look out for a chance of edging to the right across the road. But once in the stream he seemed to lose volition, to become a part of that dusty rout. They swept through Chipping Barnet with the torrent; they were nearly a mile beyond the centre of the town before they had fought across to the opposite side of the way. It was din and confusion indescribable; but in and beyond the town the road forks repeatedly, and this to some extent relieved the stress.

They struck eastward through Hadley, and there on either side of the road, and at another place farther on they came upon a great multitude of people drinking at the stream, some fighting to come at the water. And farther on, from a lull near East Barnet, they saw two trains running slowly one after the other without signal or order--trains swarming with people, with men even among the coals behind the engines--going northward along the Great Northern Railway. My brother supposes they must have filled outside London, for at that time the furious terror of the people had rendered the central termini impossible.

Near this place they halted for the rest of the afternoon, for the violence of the day had already utterly exhausted all three of them. They began to suffer the beginnings of hunger; the night was cold, and none of them dared to sleep. And in the evening many people came hurrying along the road nearby their stopping place, fleeing from unknown dangers before them, and going in the direction from which my brother had come.

Sykotica Notes: An AFF5 layout. This is a mixture of Caged & Divided, Carbon, and Crystallize. CONTENTID2 text color change is safe as the shadows will mimic the color chosen thanks to opacity. If you have little text in CONTENTID1, I suggest you avoid this layout or hit a lot of ENTER to make the whole left design visible. The left design for CONTENTID1 ends when three lines become two. The same thing can be said for CONTENTID3 (when two lines become one).

Layout Reference: #74 Treble Bass Hearts

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January 13, 2016: If you are having trouble viewing the layout on your stories, read the latest notice. Chapter 189.

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MovedGirl
#1
Hello I am sorry to bother I have a problem. I bought yesterday a layout from you the 'Winter death' and put it on my foreword of my story but when I press view next to the rose it writes: [CONTENTID3]Surround text in your story with these tags to display it here[/CONTENTID3] [CONTENTID2]Surround text in your story with these tags to display it here[/CONTENTID2] [CONTENTID2]Surround text in your story with these tags to display it here[/CONTENTID2] [CONTENTID2]Surround text in your story with these tags to display it here[/CONTENTID2] [CONTENTID2]Surround text in your story with these tags to display it here[/CONTENTID2] How can I put that away?
dancingpasta
#2
Chapter 37: how can i buy this layout?
Suhyo07
#3
Chapter 90: Bought this as well, thxxxxx
Dreamying
#4
Chapter 118: Loving this one
Dreamying
#5
Chapter 17: Brought it so pretty.. and gonna buy many more.. all are lovely
Suhyo07
#6
Chapter 62: Bought this~ so pretty thanks a lot! Will definetely come back ;)
toska-
#7
Chapter 40: all of these layouts are just- such beauty /cry/.
bought this one but will probably be back for more tbh haha.
Blaqpearl
#8
Chapter 41: I'm using this one and oh my God I really have to say--you're amazing! Keep up the great works! :D
solcompass #9
Scrolling through and I would like to compliment you on these layouts. They're lovely!
MoroccanBlackDragon
#10
Chapter 123: I have some vampire stories, but I don't know what Layout to use for them (I have everything in this shop in my layout list) Can someone suggest things for me? It is angsty and romantic