05. Scoring

It’s Time to Review Reviews!

 

Before I venture on to write about the various parts and sections of a review, I think it’s important to discuss the concept of scoring in general.

For some reviewers, scoring plays a significant role in the overall review and has the effect of defining their overall impression of the story in a two-digit number (well, hopefully it’s two-digit). For others, however, the marks allocated and overall total score do not mean much at all; these reviewers see the actual paragraphs of advice as playing the most integral part.

No matter what type of reviewer category you fall under, there are still essential “rules” that need to be heeded when giving out those trusty scores.

First and foremost, you must be able to justify the score you give. I’ve seen reviewers dock one or two marks for a particular section, then say, ‘Everything was perfect!’ They why have you not given the person full marks? Why did you deduct marks, even if they were only a few?

Every time you deduct a mark, you must explain clearly and straightforwardly why you did so. If you have absolutely nothing to pick on for a criterion and genuinely believe that it is as perfect as it can get, give them full marks. Some reviewers are, for some reason, quite reluctant to give an author full marks for a section. But if they deserved it, give it to them. If you aren’t going to be giving them definite feedback and pointing out specific things to improve on, then you shouldn’t be docking any points. Every deducted mark needs to be justified and explained.

As for the polar opposite, it is okay to give someone zero for a section. However, you must be extremely careful and positive that this is truly what it calls for. In fact, I don’t highly recommend it. I’ve given out zero before, particularly for the mechanics section, but such a decision must be sensibly thought through. It really should only occur when the reviewer believes that there is absolutely nothing redeeming or worth praising or crediting for that section. But when such an instance does arise, don’t feel guilty or horrible for giving them no marks at all for said criterion. It is slightly “mean”, but you then need to go on to provide them with plenty of sufficient advice on how to improve. Every reason that induced you to give them such a score would need to be clarified with valid reasons; failure to do so may give the impression that you are reckless and insincere, perhaps not taking the review very seriously.

Another point to mention is the concept of pity points. I, for one, am quite against such an idea. To me, personally, it comes across as, well, literally “pitying” the author. They don’t need your pity; they need your advice and constructive criticism. A lot of pity points are given in a baseless manner, anyway, and serve no other purpose than to give the author a few extra points they can slip into their pockets. They usually don’t know they’ve received pity points, though, but that doesn’t mean those extra one or two marks should be distributed so heedlessly. Does it help the author improve? No. Does it make them feel better, though? Yes. And is that important? Well, coming from a reviewer who does not see the point in being overly sentimental when reviewing, not really, no. The idea of pity points also ties in closely with “brownie points”, which are even more of a subject considered taboo. Do not ever give out brownie points. It doesn’t matter if the person is your best friend or your favourite author or your biggest fan or someone who has advertised your story for you in the past. Once brownie points are involved, the review loses all legitimacy, credibility and honesty. As for “bonus marks”, I personally don’t really see the point of them, since all areas that are eligible for points should very well be addressed and covered in your main criteria. Bonus marks would need to be very carefully pondered over, and must contain absolutely no biasness, whatsoever. This all ties back with my incessantly adamant reminder to be objective. Honestly, I would say ‘no’ to the concept of bonus marks altogether, unless they are entirely appropriate and relevant, which is most often not the case.

Some authors request for reviews before their story has really gotten very far. In this case, it can become quite difficult to review the story and give justifiable, appropriate scores, as the plot and characters are only beginning to develop. While using the aforementioned reason as an explanation to reject the request is perfectly acceptable, sometimes you can give them what I like to call a “mini review”. When writing up such mini reviews, I dismiss the whole notion of scoring; it simply isn’t fair or practical to be scoring a story that has barely started. Instead, focus on providing them with short pieces of advice and perhaps some tips to help them on the way to improving their story as they continue to write and build on it. (This is just a personal habit and merely a suggestion, by the way.)

As for the actual numbers used, I do believe that whole numbers and integers are sufficient. If needed, you can use halves, such as 9.5, but I really wouldn’t recommend going into decimal points that are too confusing. It’s really unnecessary, and I’m sure everyone’s lives would be made a lot easier if 5.8 were rounded off to 6. This isn’t a mathematical tutorial, though, and I’m not particular apt in that department myself, so that’s all I’ll say.

In short, giving full marks or no marks for a particular criterion is okay, and it is vital that the scores are being given sensibly and with thought and contemplation. Every score given and every deducted point needs to be justified with advice and explanations to back it up.

Beginning from the next chapter onwards, I’ll be focusing on one particular review criterion per chapter to discuss in further detail. However, they will be split according to the review rubric I posted in chapter 4; the categories/sections are merely a guide, and if you have your own rubric, it shouldn’t be too hard to take the concepts and reallocate them accordingly to your own version.

 

 


Thank you to all the people who commented/congratulated me while this story was advertised. And for everyone who thanked me, you don't need to; I just hope you all get something out of this and find it useful and helpful in some way. :) <3

As a bit of a sidenote: I've received a few review requests since this was advertised, so the next update(s) may be slightly delayed, as I am aiming to complete the reviews within the next few weeks or so. Won't be too long, though. Thanks again! ^^

Like this story? Give it an Upvote!
Thank you!

Comments

You must be logged in to comment
stupidfella
#1
Chapter 6: This is so freaking awesome and helpful- <3
Please update soon ;o;
natures
#2
Chapter 6: I really agreed with your (this) story
and it helps me a lot...
Please take care of it and continue ;A;
pxmens
#3
I have a question regarding deducting points: do you think it's right to give zero points just because the reviewer says it plainly ?
Because I once sent a request for a review and I got below 20 points out of 100 just because most of the sections which got graded 'plainly '. The reviewer also said word for word 'your plot maybe is original but it '.
Also is it right to use such words such as , hell, and other which are always used in this century?
Just want to hear your opinion because that one review for my fanfic was stuck in my head which deleted right afterwards.
shawolistic #4
Chapter 6: the section about the title was spot on! There have been numerous times when reviewers have just written "It is too long for a title" and skipped on to the next section not actually paying the sort of attention a title, especially the excessively long and the excessively short ones need. Old comedies and the early new comedies reveled in their long, ridiculous and farcical titles!
contrarily, I have met reviewers who are not fans of one-word titles. if anything, they are pretty anti one-word titles (obviously, not a healthy indulgence either. they believe such titles are too elusive.
Also a lot of author do resort to flowery words when it comes to titles to "grab attention". This practice is something which passively condoned by reviewers, readers and authors. So I really find it difficult to laugh at such titles because technically, they are trying to meet the criteria of a "good and acceptable" title (and failing miserably). I have had several reviewers politely and impolitely point out how a more flamboyant title could have done more justice to the "attractiveness" of a story.
As for symbols and emoticons, I have never seen one on the title of a novel however, we all know that the dynamics of novel writing do not apply to the fanfic world since the fanfic world is freer and more experimental only because of a lack of scrutiny. Having said that, I am intrigued by the prospect of using titles with symbols. Not just abusing symbols to attract more readers or to make a story "prettier" but to genuinely add on to the title. In such case, to establish the normative style of writing titles in such strict boundaries leaves little space for possibilities.
P.S- sorry for indulging in this commenting spree. AFF does have several good workshops some polite, some rude but all of them very informative but I like the fact that yours is so concise. It actually encourages me to finish a chapter and not be intimidated by the length.
shawolistic #5
Chapter 5: I genuinely can't rant enough about reviewers who deduct marks despite the story/section being "absolutely perfect". It has happened to me several times and each time I have avoided asking for a reason because I assumed if they had a reason to deduct my marks they would have mentioned it.
I think some reviewers feel that if they give full marks in sections that they deem important and consequently, allot higher total marks in, renders them as someone who is either very lenient or is not a "serious" reviewers. One of the popular stereotype on this site is that a "serious" stereotype is highly stingy with her marks which is okay as long as there is a justified reason for it. whether there is or not i'll never come to know because as you have mentioned they just do not write it down or even hint towards it!
shawolistic #6
Chapter 2: I am in two minds about this particular issue. While I am in complete agreement with your argument, I do feel that the fanfiction community especially that of AFF is more informal than any other community (for e.g. hpff) This informality persists because of the use of emoticons and abbreviations in reviews. What this sort of approach towards writing reviews does is that it often puts the author at ease. This is to be taken into account because AFF, unlike hpff, where stories are screened by admins and if deemed worthy, are published online, is all inclusive.
Since it is also a place for not-so-good writers to write stories and also get it reviewed maybe it is advisable to keep the reviews informal in such cases (?) Of course, choosing "such" cases questions the criteria of meritocracy on this site which is subject to doubt. however, my point is that if there are certain not-so-respectable transgressions in the realm of "professional reviewing", on this site in particular, then I think some of these transgressions can be forgiven simply because it helps make certain authors feel at ease. To put it simply, one can write a scathing review but mellow the effect a little with some random digressions, farces, abbreviations or emoticons.
Also, and this is just a doubt, if a review is published in an all accessible medium like the internet i.e, the review can't be made any more public than it already is then doesn't it give us the right to copy paste stuff from it as long as we credit the reviewers. We do that with articles, essays, journals, other genuinely professional reviews, then why not with the ones on AFF? :\
KrystalHana #7
Chapter 6: i am so grateful for this chapter! i've always been stuck at how to grade titles. do i grade them at first glance or after i finish the stories and such. but this really helped!
bless this chapter :D
falliblefantasy
#8
Chapter 6: Agreeing with every point up there! I just face-palm every time I see stories with a whole lot of fancy symbols and weird fonts. I mean, it's fine for a shop to have those, but stories? You don't ever see books on shelves that have hearts and stars and fleur-de-lis symbols in their titles ><

Oh and there's another thing. I realised lots of people here like to use titles with foreign languages like Latin. I'm not saying it's a definite no-no, but really, some don't even fit the story's theme/ genre/ 'feel', which makes me wonder if they use those words just to look cool ~
contradictori
#9
Chapter 6: Amen to this.

Another point I'd like to raise though, is the use of overly flowery words. Sometimes I would scroll down an author's fanfics, and it would be chock-full of stories with complicated titles featuring English words even the dictionary doesn't actually realise the existence of. Like, wow people. This is not a vocabulary contest. Make some sense and stop trying too hard to impress people; let your writing speak for you rather than how mindblowingly complicated the title is.
BringingyBaek
#10
As a reviewer who only started reviewing a month ago, I find this tutorial very helpful!
I have a question though: Is it okay if the total marks is over 100?
I made 125 the total marks because I felt like some criteria's needed more attention and I made the total marks for them higher than the rest.