Daehyun - B.A.P.’s Vocal Analysis

❤ KPOP VOCAL RANGE ❤
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Vocal Range

F#2 ~ C#6 (3 octaves, 3 notes and 1 semitone)

Supported Range

C#3/D3 ~ G4/G#4

Voice Type

Light Lyric Tenor

Strengths/Achievements Strongest Vocalist in B.A.P. Consistently capable of producing resonance and supporting his voice up until G#4 Nasality is almost non existent, a big improvement from his debut Falsetto is generally connected and relaxed up until F5 Capable of producing a supported sound in his chest voice down to C#3/D3 Intonation has shown improvement from debut Vibrato is consistently produced with a healthy tone and speed in his supported range One of the widest vocal ranges amongst male vocalists in K-pop Weaknesses Although greatly improved, nasality can still be present in his voice Falsetto notes above F5 generally are pushed and screamed Notes around C#3 and below become either airy or are done with a low larynx Tendency to still become throaty in long belts within his supported range Notes above G#4 become tight, throaty and strained with a high larynx Vibrato becomes wobbly and overly fast when outside of his supported range Intonation can at times be off, specially in his vocal runs Generally sings too high for his voice, with too much frequency Registers Lower register: Capable of supporting and producing a forward, stable sound in his lower range on notes as low as C#3 and above. When singing below C#3, voice becomes either quite airy or is accompanied by a low larynx, pushed back tongue and excessive vocal fry. Mixed register: Mixed voice shows consistent use of support up until G#4 and G4, with good tone production, no nasality and resonance often achieved. Notes above G#4 are generally throaty and squeezed with a high larynx. Upper register: Generally able to switch well and transition into falsetto with a relaxed tone, cord connection and control. Notes above F5 become shouted, squeezed and pushed with an excessive amount of air. Agility

Due to the lightness of his voice, Daehyun is generally capable of singing through very high passages with enough consistency and stamina. Having said that, he is also able to produce vocal runs and sing through his notes more efficiently in this range, even if accompanied by a high larynx and a lot of strain on his voice. An example of this would be the run at the end of the bridge of his cover of “Baby Baby“, a duet with fellow B.A.P. member, Youngjae. At other times, Daehyun will show a lack of accuracy and pitch separation when singing lower vocal runs, showing a lack of control and sounding unprepared, like his run in “하늘을 달리다” as well as the run at the of his performance of “Ordinary People“. However so, there has been great improvement in pitch and accuracy, compared to his pre-debut days, considering his performance of “Georgia On My Mind“, where his pitch is much less accurate and runs are sloppily done with no care for sense of key or accuracy.

Overall analysis

As B.A.P.’s main vocalist, Daehyun has been able to make a name for himself as a vocalist and idol singer throughout the years, ever since his debut. He possesses a very unique tone, very light and bright but still with a slight sharp quality to it, lying on a tenor range and most closely resembling a light lyric tenor quality. Due to how high his voice is, Daehyun is generally the one vocalist in B.A.P. who has to take on the highest notes and done so with poor technique can majorly injure his voice in the long run. Perhaps due to such bad habits, he isn’t able to shine and be recognized for how capable of a vocalist he really is, since his vocal skill lacks the recognition it deserves, given he follows the standard for main and strongest vocalists in K-pop idol groups.

Starting from the bottom of his range, Daehyun is able to go down as low as F#2, as he has shown in B.A.P.’s “low note battle“, but he does so by lowering his larynx, pushing his tongue into the back of his throat and adding a lot vocal fry to his chest voice to produce a very groggy low chest voice. Even a

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