The Mind of (Some) Writers
I don't know how you guys formulate your plots, create your characters, and decide on the style of your writing. Each writer has his own unique way of molding his story. But I would like to share mine, and perhaps some of you may find that we share a similar style.
It starts with random scenarios entering my head. They seem random, but only initially because later on I would realize how very much related they actually are to my own experiences. Not exactly as precise but in one way or another.
I'd like to take for example my story Regal Archer. If you've read it, you might have noticed Kana's distinct characteristic of being long-suffering. No matter the discomfort she is in or the vehemence in her heart, she remains loyal to her duties as a soldier. I find that in this trait of hers, I have reflected my own long-suffering inclinations. In all honesty, I can't recall a time that I have ever talked back to my Father, no matter the extent of his tough (and often cruel) discipline. I've entertained furious and rebellious thoughts of course, but not once have I raised them or put them into action. And despite his unreasonable admonition, I can genuinely claim that I am not in the slightest bit bitter, even up to this day. This is just my story, though. Every one has his or her own tale to tell.
And then, as my story line progresses, I make it a point to insert some facts, and of course throw in a twist. Like in Damsel Causing Distress; I actually did do legit and extensive research on the acid phenol. And then you can't even start to imagine how much time I 'wasted' researching and studying and reading about the medieval world for Regal Archer (Haha). And as for the twist, I guess I already have an initial one in the beginning of the story but then it suddenly expands to something more monumental later on. (DCD was supposed to be just less than 20 chapters but, oh well.)
Also, I can say I have a bad habit of swerving 180 degrees away from my original formulated plot. I think of a simple story involving a caterpillar cocooning its way out to become a pretty butterfly, but somewhere along the way, the caterpillar turns out to be a centipede whose cocoon is actually a thick roll of spider webs. And when the centipede actually manages to free itself from its , it then transforms into its original form - a fire-belching dragon. Yes, this is me (Haha).
I am also the type to use lengthy narratives - something my being a bookworm has strongly influenced. So no matter how short I imagine a particular scene to be, it usually stretches to such formidable (but hopefully not dragging) lengths. For each chapter as well, I need it to end in such a way that my readers (and even me as an author) are prodded to go on and keep reading (or writing for me).
Then down to my greatest challenge: the ending. It has always been such a royal pain, concluding a story. And this is exactly why I often seal my stories with a cliff-hanger. I'm not sure with my fanfics (and I still don't have a lot to judge from) but this is definitely the case with all my other non-fanfic stories. I feel like putting a definite ending undermines my readers' capabilities to explore what happens next in their own imaginations.
I'm not saying stories with definite endings are bad. In fact they are very good; they always leave me feeling nostalgic. I even feel envious of authors who are able to end their stories in such a compelling manner. Again, this is just me.
Oh well. In the end, it's all a product of the human brain. This gooey piece of intestine-like organ buzzing beneath our skulls 24/7.
Haha! All right, that's all I've got to say. How about you? How does your mind work as a writer (or even as a reader)? Have a nice day, folks! (:
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